Sony Venice, elle est enfin là!!
Sony proudly introduces its next generation motion picture camera system with forward thinking full frame sensor, phenomenal colour science and user-friendly operation.
36x24mm Full-Frame sensor for cinema
Full-Frame Full width 36 mm 6K (Firmware update required except for Full Frame 6K 3:2 mode.)
Super35 full height 2x squeeze anamorphic
Super35 17:9 and 16:9
VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.
More colours for more expression
VENICE can exceed Rec. 2020 colour space. This means the colour range is wider than DCI-P3 and can beautifully reproduce the true colour of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3), and ultra-wide colour space.
Jello effect is something that we don’t need when filming. VENICE has high speed readout sensor which minimises the jello effect that are typical in the CMOS sensors.
PL lens mount
VENICE comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology. Lens information is recorded as metadata frame by frame.
Lever lock type E-mount*
E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saves time during a production.
*Firmware update required.